Legit question, are you married Max Power? When I first saw this film I was on acid and a year into my marriage. It helped me greatly in coming to terms with the reality of monogamy. I think it was one of his best but it's hard to rank Kubrick's work imo. Spartacus was probably his low point.
I am not. Maybe I'll enjoy this more when I tie the knot? lol
Also, is
Spartacus, REALLY a Kubrick film?
Speaking of . . .
2001: A Space Odyssey [1968] by Stanley Kubrick
Alright, I'm not going to say or add anything new that hasn't been said already about this film. This, along with
Citizen Kane, is one of those paradigm shifting films in cinema. Hugely influential. However, my personal opinion . . . . ehhh . . . okay, so, I understand (on some level) the greater theme or overarching idea woven throughout the movie. Which itself is, from what I understand, a personal opinion as well, as Kubrick never really explained what any of it really meant. And since all three parts of the film are therefore 'interconnected', you could say they're all necessary to the expression of the overall meaning. Who am I to tell Kubrick otherwise? That being said: throw out the first third completely. Cut it. This did not need to be a 2.5 hour movie. Fuck the apes. Fuck their bullshit. The middle third is a cool sci-fi flick and the final 15-20 minutes elevate this into hallowed ground. 4.5/5
Bill Burr: Live at Red Rocks [2022] by Mike Binder
I love Bill Burr. Saw him in Vegas not too long ago. The great thing about having a crappy memory is I forgot most of the jokes in that set so this taped special was fresh. However, I did come away with the same thoughts after watching this that I did when I saw him live. And also the same feeling after watching Chappelle's last few specials. And that is: I'm a little tired of the "discussion". The politics. Feels like the majority of their set just revolves around discussing "wokeness" or what not. And regardless of where I stand on the issues (spoiler: I'm not offended and agree with a lot of it), the point is, there's a time and a place for it and when I go to a comedy show I want to hear anything but. Which is odd because I'm a big fan of Carlin and Hicks who kinda leaned into that stuff. And I get it, these comedians feel like their freedom of speech, their bread and butter, are being attacked. So they have to speak up. But to see what I want in a comedy special, look to something like
Killing Them Softly. 2.75/5
Zerkalo AKA
The Mirror [1975] by Andrei Tarkovsky
Okay, fine. I'm more than willing to admit I don't get Tarkovsky. Or maybe, I don't WANT to get Tarkovsky. I don't want to have to study and breakdown film like some fucking NFL coach. I just wanna get my yuks in. Granted, I enjoyed this a lot more than
Stalker. But there's just this air of pretentiousness I can't get over. Maybe it's inherent to "surreal" or "art house" films but you don't see films like
8 1/2 take themselves this seriously. Godard has a ton of fun. This is stuffy. And yeah, it's Russian so they aren't known for their sense of humor. And from a technical standpoint, I get it. I like the black & white, and sepia tones, etc to differentiate the timelines. And the burning shed and pretty much all the scenes from the childhood on the farm are fucking beautiful and works of art. The framing of certain shots and use of mirrors: I get it. And yet . . . I'm a meat and potatoes guy. Not quite Michael Bay but I want something I can be entertained with throughout and not just enjoy little morsels here and there. I'll likely give this film another chance in the future but it did not make My Collection. 3.25/5
Memento [2000] by Christopher Nolan
Funny how I watched this after
The Mirror and it employed the same "changing tones to show different timelines". I know it's mostly used to differentiate locations (see:
Traffic). But time? I wonder if Nolan was inspired by
Mirror. Who even started it? How common is it? Have I just been missing it? Any who. Nolan is up there with the best, this might be one of his more underrated. Is Nolan himself underrated among the greats? Should I get a Sammy Jenkis tattoo? So many questions. Anyways, back to the non-linear plot, I'd like to believe Nolan just wanted to be like Tarantino on steroids. Minus the ultra-violence and soundtrack. This film is what I'm talking about where it is entertaining for the Every Man but also has something for the film nerds and critics. Is it the best of both worlds? No. But it's entertaining. You can recommend it to mostly anyone and they'll likely enjoy it. Can't say that about Tarkovsky or even like, Kurosawa. There's something commendable about that. Go Nolan. 4.25/5
1917 [2019] by Sam Mendes
Boy do I have a hard on for single takes. Who doesn't? This one may be too much of a good thing, but fuck it. So glad I saw this in IMAX, it really gives is so much more depth. War films, I feel like, probably benefit the most. Off the top of my head:
Dunkirk or
Saving Private Ryan. Sci-Fi films too, e.g.
2001 or
Gravity.
Interstellar.
Inception. It's one thing seeing them at home, even on a big TV. But seeing them in theatres? Fuuuuck. Anyways, I like movies that challenge the conventional plot. So when
one of the two messengers dies, specifically the brother, I was like fuck yeah! So refreshing to see. Yes it's sad but it's a film. I like different over overdone happy. This film would have benefit so much if it was 90 minutes. The single take would have been more palatable, if anything, and the fat trimmed. Still 4/5